He talks eagerly about music he’s currently listening to, from Detroit rapper and producer Quelle Chris to formative artists from his childhood like E-40, UGK, and especially Prince. In person, Tony reflects the same duality as his music: he’s thoughtful and considered as well as open, present, and enthusiastic. There's incisive reckonings with whisper networks and sexual misconduct (“Rumors”), pointed subversions of regional stereotypes (“Texas”), and an updated version of the song “Charles” –– which was previously on Urban Hall of Fame, Tony’s album with producer Kyle Mabson as Charge It To The Game –– about Tony’s younger brother, who is autistic and has never spoken to his family. His latest album, 10,000 Hours, was written and recorded in Los Angeles produced in large part by childhood friend HevIn, the record is intensely personal and musically propulsive, with moments verging on straight-up dance music. That stretch was capped by the release of his fourth LP MacGregor Park, named after a corner of his native Third Ward and representing the deepest mining yet of Tony’s psyche.
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There were stretches in Brooklyn, Houston, and Mexico City, where he became a lynchpin in the city’s rap scene with a series of parties that brought major American artists to the capital. I'd buy one if I had children and needed to lug them around somewhere, but I’m happier walking everywhere I go.” Tony, 30, has recently settled down from a nomadic period. According to the campaign page, the album is set for release in April 2018.“I just love being able to walk everywhere,” he says, opening the gate that surrounds the idyllic home.
Sermon’s Kickstarter campaign pledges a goal of $60k and has so far raised a little over $20k. Sermon also reveals he will be launching his very own music video production team, Def Squad films in collaboration with longtime affiliate Shock B. Go will be released on his new independent label, Def Squad Records which is also an attempt to revamp the staunch Def Squad trio.
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But I still need funds to finance the sampling – which doesn’t come cheap – plus a sound engineer and all the costs involved in marketing the album to as wide an audience as possible, not just die-hard hip hop fans but to introduce great music to a new generation,” Sermon wrote. Therefore many of the costs of producing a mainstream album are already covered. “I still have my studio in New York and all the original equipment which enabled me to produce beats like the popular 2001 track “Just Like Music,” sampling the late, great Marvin Gaye. The album will also include guest appearances from additional class-act vets such as Def Squad comrades Keith Murray and Redman, the daring AZ, Wu brother Ghostface Killah, Styles P of The Lox, West Coast notable Too $hort, Pharrell, versed producers Rockwilder and Devin The Dude, DJ legend Kid Capri, Big K.R.I.T, and Rico Barrino.Ī Kickstarter campaign was started by Sermon for the sake of raising funds for the final touches on the project which include sampling, a sound engineer and elite marketing. Well, this normal get together not only ties with “Come Thru,” but the whole entire Go album.
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